The Iron Mountain Review Vol. XXXII

Gipe, Mullinax, Stanley, & Turpin 27

Works Cited

---. Higher Ground 3: Talking Dirt . 2011. The Appalachian Program at Southeast Kentucky Community and Technical College. Manuscript. ---. Higher Ground 4: Foglights . 2013. The Appalachian Program at Southeast Kentucky Community and Technical College. Manuscript. ---. Higher Ground 5: Find a Way . 2015. The Appalachian Program at Southeast Kentucky Community and Technical College. Manuscript. Goldbard, Arlene. New Creative Community: The Art of Cultural Development . New Village Press, 2006. Graves, James Bau. Cultural Democracy: The Arts, Community, and the Public Purpose . University of Illinois Press, 2010. Higher Ground. “Good morning Higher Ground Family.” Facebook , 3 September 2015. https://www.facebook.com/highergroundinharlan/ posts/911717125561780. Roadside Theater. “About.” Roadside Theater : Art in a Democracy , n.d., http://roadside.org/about. Accessed 12 March 2022. Schinina, Guglielmo. “Here We Are: Social Theatre and Some Open Questions about Its Developments.” The Drama Review , vol. 48, no. 3, Fall 2004, pp. 17-31. Thompson, James. “Digging up Stories: An Archaeology of Theatre in War.” TDR (1988-) , vol. 48, no. 3, 2004, pp. 150–64. JSTOR , http://www.jstor.org/ stable/4488577. Thompson, James, and Richard Schechner. “Why ‘Social Theatre’?” TDR (1998-) , vol. 48, no. 3, fall 2004, pp. 11-16. JSTOR , http://www.jstor.org/ stable/4488567. Weber, Max. The Theory of Social and Economic Organization . Free Press, 2009. Google Books , https://www.google. com/books/edition/The_Theory_Of_Social_And_ Economic_Organi/G3TYBu6-4G0C.

Arnot, Chris. “How to Make a Drama Out of a Crisis.” The Guardian , 14 Apr. 2009, https://www. theguardian.com/education/2009/apr/14/theatre- prisons-probation-james-thompson. ArtPlace America. “The Higher Ground Project.” ArtPlace America , 18 July 2012, https://www.artplaceamerica. org/funded-projects/higher-ground-project. Baker, Don, and Dudley Cocke. Red Fox/Second Hangin’ . Alternate Roots: Plays from the Southern Theater , edited by Kathie de Nobriga and Valetta Anderson, Heineman Drama, 1994, pp. 57-104. Boal, Augusto. Theater of the Oppressed . Pluto, 2000. Carson, Jo, and Richard Owen Geer. “Out of Control in Colquitt: Swamp Gravy Makes Stone Soup.” The Drama Review , vol. 40, no. 2, summer 1996, pp. 103-30. Cohen-Cruz, Jan. “A Hyphenated Field: Community- Based Theatre in the USA.” New Theatre Quarterly , vol. 16, no. 4, Nov. 2000, pp. 364-78. ---. Local Acts: Community Performance in the United States . Rutgers University Press, 2005. Fisher, Stephen L. and Barbara Ellen Smith, editors. Transforming Places: Lessons from Appalachia . University of Illinois Press, 2012. Gipe, Robert. “The Higher Ground Project: Higher Ground Coalition/The Appalachian Program at Southeast Kentucky Community & Technical College.” Interview by ArtPlace America. ArtPlace America , 19 July 2012, https://www.artplaceamerica. org/funded-projects/higher-ground-project. ---. “The Door between Us.” Unpublished manuscript based on talk given at Auburn University Symposium on Scholarship & Community Engagement, February 2014. Gipe, Robert, et. al. Higher Ground 1 . 2005. The Appalachian Program at Southeast Kentucky Community and Technical College. Manuscript. ---. Higher Ground 2: Playing with Fire . 2009. The Appalachian Program at Southeast Kentucky Community and Technical College. Manuscript.

Robert Gipe is the acclaimed author of the illustrated novels Trampoline (2015). Maureen Mullinax is an assistant professor of sociology at Xavier University. Tal Stanley is the director of the Appalachian Center for Civic Life at Emory & Henry College. Anita Turpin is a professor in the Department of English and Communication Studies at Roanoke College in Salem, Virginia.